MUMBAI: there are numerous rousing moments in Nitesh Tiwari’s “Dangal” (Hindi slang for the wrestling area), however possibly the person who best possible exemplifies the movie and its characters is the delightful track “Haanikarak Baapu” (dangerous father). In it, a father pushes his teenage daughters to train as wrestlers, waking them up at the crack of first light, retaining them far from their favourite meals and television displays in order that they can excel in a game they’ve never played earlier than.
it could possibly were a sombre second in the movie, but lyricist Amitabh Bhattacharya brilliantly turns it around by injecting wry, rustic humour that’s sure to make the grumpiest target market snigger. This thread of humour runs all through the film and elevates the viewing experience, making it greater than only a chronicle of Mahavir Singh Phogat’s obsession with producing champion wrestlers.
Phogat braves ridicule, gender biases and your complete lack of infrastructure in his village of Balali in Haryana to forge in advance and make his youngsters succeed in what he never managed to do – win a gold medal for India on the global degree.
His POA is modest and his modus operandi brutal. Geeta and Babita, unless then carefree youngsters who love dressing up and snoozing in, cannot fathom what suddenly led to their in any other case placid father to change into a despot, but are additionally now not conditioned to query the man of the home. Their mother Daya (Sakshi Tanwar) mildly protests against her husband’s unbelievable plan, elevating her voice best when he suggests cooking hen in their vegetarian household.
There are moments in the film when Mahavir does come throughout as a despot – a man who doesn’t even stop to believe what his youngsters want. however Tiwari and his co-writers (Shreyas Jain, Piyush Gupta and Nikhil Mehrotra) redeem him instantly. in a single powerful scene, Geeta and Babita are cribbing to a classmate who is set to get married. “When a girl is born right here, the one idea is to show her family work and get her married off at 14. as a minimum your father is considering you,” the lady tells them.
it is one of many pivotal moments within the film, after which Geeta and Babita change their perspective and begin to willingly take part in the ride with a view to in a roundabout way earn them sporting glory. it’s also to the credit of Tiwari’s completely solid ensemble that he manages to make the experience compelling. When the story makes a speciality of the interior dynamics between Geeta, Babita and Mahavir, it’s a satisfaction to observe.
Up until the last 20 minutes of the movie, Tiwari leaves little room for mistakes. after which, like an knowledgeable driver who suddenly loses control of his automobile, Tiwari throws all of it away within the climax. The characters bandy about giant words, jingoism comes into the image, and the film reaches its lowest point with a scene involving a caricaturish villain. are trying as he would possibly, Tiwari is unable to resist the temptation to inject that one bit of Bollywood-model drama. In doing so, he sullies what would have otherwise been a pristine effort at making a true-blue sports activities movie.
If that you may in some way mentally erase the climax, then “Dangal” has so much to supply. The performances, especially with the aid of Zahira Wasim and Suhani Bhatnagar, who play the younger Geeta and Babita, are distinguished. They eclipse the actresses who play their grown-up versions. Ritwik Sahoredeserves special point out for his role as the ladies’ cousin Omkar, now not only for his deadpan appearing but additionally because he will get the most effective strains.
Tiwari and cinematographer Sethu Sriram focal point on each miniscule element of wrestling. The sequences are wonderfully shot and choreographed, a lot in order that it is tough to believe the actors aren’t full-time wrestlers. And at the centre of all of it is Aamir Khan. He performs Mahavir with practiced authority and impeccable timing. just like each other film he has achieved of late, Aamir is the messiah right here, the person who knows best and is right here to tell lesser mortals which path their existence must take. with regards to wrestling, or training, or religion, Aamir Khan knows best possible. After watching “Dangal”, it’s difficult to argue with that.